{"id":153,"date":"2025-07-07T11:07:17","date_gmt":"2025-07-07T09:07:17","guid":{"rendered":"https:\/\/vincianelacroix.net\/portfolio\/?page_id=153"},"modified":"2025-07-08T17:12:49","modified_gmt":"2025-07-08T15:12:49","slug":"biotek-51-2","status":"publish","type":"page","link":"https:\/\/vincianelacroix.net\/portfolio\/fr\/biotek-51-2\/","title":{"rendered":"Biotek-51"},"content":{"rendered":"\n

BioTek’51 pr\u00e9sente dans les jardins de la Fondation Bourgine(FB) des sculptures et installations sur le th\u00e8me de la biotechnologie.<\/p>\n\n\n\n

Les jardins sont \u00e9clair\u00e9s par de la \u00ab\u00a0lumi\u00e8re noire\u00a0\u00bb (UV autourde 395 nm), mettant en \u00e9vidence les couleurs fluorescentes ; celles-ci absorbent les rayons UV et les renvoient dans le domaine du visible, aussi nous apparaissent-elles tr\u00e8s lumineuses.<\/p>\n\n\n\n

Pour cette exposition, la commissaire de la FB, Sarah Bloementhal, a sollicit\u00e9 la participation de plusieurs collectifset artistes de cultures et origines diverses. Au total, deux collectifs, un cabinet d’architecture, un couple de plasticiens et 7 autres artistes ont r\u00e9pondu \u00e0 l’appel. Leurs interventions n’\u00e9voquent pas seulement le pouvoir de la biotechnologie et de son hybridation via le transhumanisme mais en explore aussi les dimensions po\u00e9tiques, ludiques et esth\u00e9tiques.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/a>

 Jamie Lessart (n\u00e9 en 2020, canadien)
L’\u00e9toil\u00e9<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

 Niemeyriet (n\u00e9 en 1998, islandais )
Dix neuf cent nonante huit<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Janina Dobrowolska (n\u00e9e en 2014, polonaise )
Mushroom Talk and Music<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Jutta et Otto Becher (n\u00e9s en 2015 et
2016, allemands) Injection<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Isla Weil (n\u00e9e en 2030, am\u00e9ricaine)
Ecce Homo (Graphic Bubbles)<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Collectif Bio Power (Collectif belge cr\u00e9\u00e9 en 2041)
COVID-R<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Juv\u00e9nal Kurwanya (n\u00e9 en 1994, rwandais)
Main Bionique <\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>




Cabinet d’architecture Caulez
Barrage de Castors<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Lucia (n\u00e9e en 2023, espagnole)
As\u00ed lo veo<\/em> (C’est ainsi que je le vois)<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>

Collectif S Insoumis ou CSI (Collectif franco-belgo-suisse cr\u00e9\u00e9 en 2045)
Aroma et Geonose<\/em><\/figcaption><\/figure>\n
\u0152uvres pr\u00e9sent\u00e9es dans les jardins de la Fondation Bourgine dans le cadre de BioTek’51<\/em><\/figcaption><\/figure>\n\n\n\n
Constanza Silva Dias (n\u00e9e en 2005, chilienne) Biodanza<\/em><\/figcaption><\/figure>\n\n\n\n

Par ailleurs, le visiteur est invit\u00e9 \u00e0 d\u00e9couvrir dans le hall principal, le parcours int\u00e9rieur de la plasticienne fran\u00e7aise Jade Renard (n\u00e9e en 2022), \u00e9labor\u00e9 lors de sa r\u00e9sidence \u00e0 la Fondation. Du cahot int\u00e9rieur et de son obsession pour les masques, sa recherche l’a amen\u00e9e \u00e0 d\u00e9monter le mensonge bienveillant construit sur la mort de son fr\u00e8re Arthur. Il n’est pas mort suite \u00e0 une insu\ufb03sance respiratoire mais s’est suicid\u00e9. Aussi c’est l’histoire de la France et m\u00eame du monde des ann\u00e9es 20 qui s’est r\u00e9v\u00e9l\u00e9e \u00e0 elle, notamment gr\u00e2ce \u00e0 l’historienne Teresa Gallinck et la documentaliste Alice de Livremesle, consultantes \u00e0 la FB.<\/p>\n\n\n\n

\"\"
Jade Renard (n\u00e9e en 2022), In memoriam Arthuri, installation<\/em><\/figcaption><\/figure>\n\n\n\n

N’h\u00e9sitez pas \u00e0 me contacter <\/a>si vous souhaitez le guide complet du visiteur de cette exposition.<\/p>\n","protected":false},"excerpt":{"rendered":"

BioTek’51 pr\u00e9sente dans les jardins de la Fondation Bourgine(FB) des sculptures et installations sur le th\u00e8me de la biotechnologie. Les […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-153","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/pages\/153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/comments?post=153"}],"version-history":[{"count":5,"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/pages\/153\/revisions"}],"predecessor-version":[{"id":322,"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/pages\/153\/revisions\/322"}],"wp:attachment":[{"href":"https:\/\/vincianelacroix.net\/portfolio\/wp-json\/wp\/v2\/media?parent=153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}